Temple of Crystal Meat, All Good Things are Eleven, The Golden Hair with a Voice of Silver, and In the Heart of the Wood and What I Found There are consistent in terms of style with traits of obscurity and heresy. Some materials are derived from forest landscapes and saints’ portraits in the classical paintings. In the process of machine tuning, the repeated emergence and interpenetration of objects – from flowers and trees to human forms and animal skins – are deliberately emphasized. Along with the frames of distant view, they present senses of divinity and oddity altogether.